{"product_id":"product","title":"Patrick Leonard - It All Comes Down to Mood ( VINYL )","description":"\u003cdiv class=\"tab-pane fade active in\" id=\"description\"\u003e\n\u003cp\u003e\u003cstrong\u003ePatrick Leonard —\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eIt All Comes Down To Mood\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDouble LP\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered for vinyl by Bob Ludwig at Gateway Mastering\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLacquers cut by Chris Bellman at Bernie Grundman Mastering\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressed at RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Michael Fremer \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCover art by Storm (\u003cem\u003eDark Side of the Moon\u003c\/em\u003e)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"If you are tired of formulaic music like myself, this album by Patrick Leonard will make you sit up and take notice. Surprising melodies, incredible music played perfectly by all concerned. For me it is manna from heaven listening to the unexpected twists and turns. A brave album and one that is a complete triumph. Having had the pleasure of working with Pat this made me feel grateful. And made me feel ALIVE.\" — Elton John\u003c\/p\u003e\n\u003cp\u003ePatrick Leonard's new double LP —\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eIt All Comes Down To Mood\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e— will be released on July 26, 2024.\u003c\/p\u003e\n\u003cp\u003eJust to be sure you know him: Leonard produced\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eAmused to Death\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003efor Roger Waters, produced two of the three final Leonard Cohen albums, and co-wrote many songs with Cohen for the final three records, he produced\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSongs From the West Coast\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003efor Elton John and also co-wrote and produced all of Madonna's early records for Warner Brothers. And there's more.\u003c\/p\u003e\n\u003cp\u003eHe founded the critically acclaimed early 90's alt-rock group Toy Matinee. But for the first time in two decades, Patrick Leonard is releasing music that is all his own:\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eIt All Comes Down To Mood\u003c\/em\u003e, a sprawling, 16-track double album that brilliantly conveys his artistic genius.\u003c\/p\u003e\n\u003cp\u003eSo what does\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eIt All Comes Down To Mood\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003esound like? The best genre descriptor might be \"art-pop.\" The songwriting is adventurous, both musically and lyrically. Elemental influences of all Patrick Leonard's famous clients emerge in an organic way — but not overtly.\u003c\/p\u003e\n\u003cp\u003e\"My vocabulary is pure 60's and 70's rock 'n' roll and prog rock, but when I'm working, if something that I'm doing reminds me of someone else's music, I stop,\" says Leonard.\"I have no interest in being an emulator.\"\u003c\/p\u003e\n\u003cp\u003eThe common denominator between the classic albums which influenced Leonard and his own album is that they reward attentive listening. Each of the album's 16 tracks are like masterpiece paintings, which reveal more the deeper you listen. The production is pristine, the playing is endlessly tasteful and the lyrics thought provoking. But what brings it together is an emotional component that is rarified in modern music.\u003c\/p\u003e\n\u003cp\u003eSupported by a dream cast of supporting musicians: Tony Levin, Tim Pierce, Wendy Melvoin, John Patitucci, Aaron Stirling, Martin Barre, James Harrah, Ian Anderson, Anna Mjoll, Gerry Leonard and Paul Franklin — and working without the typical budgetary or creative restraints usually imposed by major labels,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eIt All Comes Down To Mood\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a record that probably couldn't be made by anyone else today.\u003c\/p\u003e\n\u003cp\u003e\"At one point I realized this record had a lot to do with the '70s, so I decided to impose some rules on it. I wouldn't use any keyboards that didn't exist in the 70s and none that came to be after that; basically no modern synthesizers and certainly no PC-based synths. While writing the music I found myself using odd bar lengths and time signatures, something I hadn't done or thought about in years. I think I'd discovered the subjects\/ POV that the narrator was going to take on and re-discovered the 15-year-old boy inside me who loves progressive rock music as well as vinyl records.\"\u003c\/p\u003e\n\u003cp\u003eLeonard has taken great pains to ensure that the vinyl package of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eIt All Comes Down To Mood\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis something that 15 year old boy would be impressed by. Firstly, Leonard commissioned the legendary StormStudios, founded by the late designer Storm Thorgerson, to design the album artwork. Analog revivalist Michael Fremer consulted with Leonard on the vinyl package, which features a tip-on jacket, was cut by Chris Bellman at Bernie Grundman Mastering, and mastered by legendary engineer Bob Ludwig as his last project on his last day at Gateway Mastering prior to his retirement. The double album was lovingly sequenced by sides, both for thematic continuity and sonic benefits. Fremer brought test pressings of the record to various audio shows over the past few months and reviewed it for vinyl enthusiasts who were \"blown away\" by the music and the sound — in several cases, the demo received a standing ovation when the record was done playing.\u003c\/p\u003e\n\u003cp\u003ePatrick Leonard's goals for\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eIt All Comes Down To Mood\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eare a bit ambivalent. \"There's some liberation in this new record. I think music and its content have suffered from what technology brought to the party. I won't go into this too deeply because I'll just sound like a grouchy old snob (which maybe I am), \"says Leonard. \"I'll admit that I liked it better when musical aspirations were more about being better as a musician, and less about chasing digital celebrity. If all the stars in the sky were digital projections except one, how would you ever find that one?\" he ponders.\u003c\/p\u003e\n\u003cp\u003eWith\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eIt All Comes Down To Mood\u003c\/em\u003e, Patrick Leonard has put a new star in the sky, made from heart, soul, and will. It shines brightly.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tab-pane fade active in\" id=\"tracks\"\u003e\n\u003cbr\u003e\n\u003ctable width=\"200\" border=\"0\" cellpadding=\"0\" cellspacing=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd nowrap\u003e1. Hat and Coat\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd nowrap\u003e2. When It Comes To Giants\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd nowrap\u003e3. Maniac Hill\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd nowrap\u003e4. Jimmy Upside\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd nowrap\u003e5. Sad Ass World\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd nowrap\u003e6. Anderson and Council\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd nowrap\u003e7. Mary Saw Angels\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd nowrap\u003e8. At The End Of The Day\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd nowrap\u003e9. Bishops of Fright\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd nowrap\u003e10. In Came The Fool\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd nowrap\u003e11. For Her\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd nowrap\u003e12. Devil's In The Rain\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd nowrap\u003e13. Up In The Sky\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd nowrap\u003e14. Looking For A Heart\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd nowrap\u003e15. When It Comes To Giants Part 2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd nowrap\u003e16. A Walk In The Woods\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!----\u003e","brand":"Acoustic Sounds","offers":[{"title":"Default Title","offer_id":59548004941905,"sku":"198168532188","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1034\/5778\/3889\/files\/4364309-3219240.jpg?v=1779344391","url":"https:\/\/c09u90-kd.myshopify.com\/products\/product","provider":"My Store","version":"1.0","type":"link"}